Chef Blog #3: Matthew Taylor, Arbor Day Lied Lodge

September 11th, 2010 : : : : Tag Words:

One of the many great things about multiple tentacled projects like this is how one things leads to another.  Parts of the project are adopted by others, parts of the project spin off into other projects, and great people lead to other great people.  In the case of Chef Matthew Taylor, we were led to him by way of banner artist Matthew Rezac, both out of Grand Rapids, Minnesota, and both with ties to Nebraska. When one Matthew suggests another Matthew, how can one not take notice?  Although Banner Artist Matthew grew up in Nebraska, Chef Matthew has slowly been lured to Nebraska.  The luring is now finalized with Matthews recent move to Nebraska City to assume the position of Head Chef at the Arbor Day Lied Lodge and Conference Center.

When Matthew showed up at our first ‘chef meeting’, having altered his pre-move house hunting visit to Nebraska in order to attend, we knew we had found a perfect fit for this project.  Arms covered in tattoos, charismatically speaking about his love of local food with a slight Chicago accent, and instantly building camaraderie with strangers through his praise of the region’s meats, cheeses, and vegetables.  We were lucky to find Matthew.

Chef Matthew Taylor began his culinary career in the kitchens of renowned chef Raymond Timpone. Working under Chef Timpone at the famous Timpone’s Ristorante in Urbana, IL gave Matthew a taste for the rustic beauty and contemporary charm of Italian cooking. Chef Matthew then moved on to kitchens in the Champaign and Chicago areas. Matthew soon made a tour of kitchens from New York to Seattle. “Working for the chefs I respected and admired has been a great training ground for me”, explains Matthew when discussing his background. Chef Taylor has studied the cuisine and technique of classical French, Italian, and contemporary American cuisines.

Matthew has lived and worked in several regions in the United States. Along the way he has been exposed to a variety of styles and “regional identities” that have shaped his diversified palate. “Wherever I go, my connection with the community is through food.” This is one of the biggest propensities for the sourcing of local foods. Chef Taylor believes in the wholesome, vital freshness that comes with buying food from the farmers here in Nebraska. At Lied Lodge and conference Center at The Arbor Day Farm we try to source as much as possible from local farms to both support a healthy diet and a healthy local economy.

At the most recent chef meeting, Matthew initiated an engrossing discussion about including bison in the harvest dinner event, which then led to a discussion about prairie landscape conservation and restoration.  The following week, we found ourselves speaking with bison ranchers and being asked to pick up a live bison for processing!  The live part was quickly nixed, but bison is now on the menu and we can’t wait to see what Chef Matthew brings to a course that speaks to the deep history of our region, and undoubtedly a burgeoning future market.

‘The Battery’ by Shaun Smakel

September 7th, 2010 : : : : Tag Words: ,

The time has arrived for the FINAL banner blog in the 13-week one-by-one unveiling of each piece of artwork for installation on the grain elevator.  Getting to know the visionary behind each design has become the best part of this project.  Each one provides a unique perspective that we can’t imagine the final installation, as a whole, without. The Chef Blogs will be coming at a rapid pace leading up to the October 3 dinner, and then will dovetail into Farmer Blogs to highlight the folks who grow/raise the food we will enjoy at that epic event.

The last, but certainly not least, banner ‘The Battery’, designed by landscape designer and urban planner, Shaun Smakal was the only submission out of 150 to embrace the crucial global topic of energy.  During Smakal’s background research for his entry, he accidentally discovered that a silo is the exact proportion of a AA battery, and their past use as grain storage certainly represents enormous quantities of energy storage.  Without getting into the complex physics of energy production, consider the transference of sun, water, and nutrients into a new harvestable, and edible form that even now produces fuel for our cars.  Energy indeed.  According to Smakal, landuse, agriculture, and energy are the complex and intricately interwoven pieces of the larger human landscape.  The role that energy plays in the landscape is often ignored or unseen by many Americans, so by utilizing the instantly recognizable form of a battery, he seeks to coalesce this complexity into a 3-tiered format that is iconic and visual enough to be recognizable to someone driving by on the interstate, and also able to develop a broader energy/landuse discussion. The positive and negative terminals represented by a battery are an important component to any discussion about landuse and energy that, according to Smakal, is often missing in our oil focused society.

The image as a whole, represents a battery, and each subsequent spectrum of color a battery itself and a graphic image of sixteen potential energy resources as identified by Scientific American, in order of increasingly irreversible impact on our larger landscape. The graphic images visually highlight the energy resource itself, with an emphasis on how it exists in the landscape or its raw form,  and the colors reference both a natural rainbow and the Dept. of Homeland Security’s National Terror Alert System:

Shaun Smakal, a Master of Landscape Architecture candidate at the University of British Columbia in Vancouver and a graduate of the Resource Planning B.Sc. program at the University of Michigan – Flint, specializes in imaging how cities, especially the declining, post-industrial, rust belt cities of Detroit and Flint, would look, function and change through radical landscape and urban development that makes them into environments that regenerate the human, ecological and infrastructure functions that comprise them.

His professional design work began with a role as a memorial designer for a small, family-owned monument design company. During his academic career, he served as a writing tutor on campus, teaching assistance and designed and built sets for student-run plays. He’s also participated in several award winning charrettes including Vancouver’s entry in the CitiesPlus Integrated Design Workshop and the Community Roof Garden & Food Security Charrette for the Collingwood Community Centre, among others.  Shaun has spent the last 3.5 years as a landscape and urban designer and planner in Flint, MI where his work and personal interests, in addition to standard landscape projects, has included presentations on urban agriculture, design and communication materials for urban infrastructure and downtown revitalization in Flint, large-scale infrastructure enhancements for brownfields and highways, and serving as a facilitator for the City of Flint’s Neighborhood Action Sessions and on several event and neighborhood committees.

Battery-energy

Chef Blof #2: Elle Lien, Daily Grub

September 5th, 2010 : : : : Tag Words:

The seemingly large shifts Omaha has made as a city in the last 5 years can undoubtedly be attributed to the action and passion of individuals.  For someone who has been away from it all during this time-frame, a return is met with more choices and perspectives, and vibrant burgeoning pockets in previously underutilized parts of town.  And for the most part, the city seems to excitedly embrace and support the courage, dedication, unique vision, and hard work of these individuals.

One such example of dedication and vision can be witnessed, daily, on the Facebook page of the fresh and simple whole food diner, Daily Grub, on 20th and Pierce.  Updated almost daily by the restaurant’s gracious purveyor, Elle Lien, and not yet open for a full calendar year, Daily Grub’s page has over 900 ‘fans’ and regular ‘daily’ postings of tantalizing menu items, news, and snippets into the daily life of feeding people outside of a luxurious kitchen, staff, or investors.  Everything to come out of the simple open kitchen is thoughtfully planned, sourced, and prepared by Elle herself.  A visit to Daily Grub is not just about satiating a growling mid-day stomach, but doing so in an intimate space akin to someone’s home, a vision Elle has cultivated for years through several ventures that began when she opened up her home for a Sunday brunch of vegan raw food and waffles. It began with close friends and family and grew to include up to 80 people a day. From there, Lien took brunch to the Empty Room in the Slowdown complex for a residency she called CLEAN PLATE where she prepared and served raw and local food for a month.

When Elle chose the name Daily Grub for the latest iteration of her ongoing quest to sustain people, perhaps she was setting into motion both the daily interaction with guests, who may choose to visit the restaurant based on the ever changing menu contingent on Elle’s interaction with the ephemeral ingredients harvested by local urban gardens, neighbors, and farms.  She wants the restaurant to be even more farm-sourced, one reason she recently decided to forgo weekend brunches for the summer: “I want to be at the (weekend) farmers markets and talking to growers and knowing what’s out there,” she said.

The influence of Elle’s upbringing as a corn fed, free-range Midwestern farm girl from Ashland, Nebraska showed up much later in her career.  Or maybe it was percolating and maturing during the time she worked as a writer and journalist in Atlanta, Chicago, New York and South Carolina where she discovered Charleston’s vibrant food culture based on a deep connection to its regional culinary roots and an abiding commitment to the idea that the best food comes from collaboration between cook and grower. It was in this atmosphere that Elle began to hone her kitchen skills, develop relationships with local chefs and farmers and entertain many of them.

When Elle returned to Omaha it was only for a brief stay on her way to graduate school in London. Now four years later, she continues to provide Omaha with great food and atmosphere. From her home, to CLEAN PLATE to now Daily Grub, Elle is undoubtedly a central figure in breathing new life into not only an old, dingy, bar on 20th and Piece, but to the city’s culture of people and connections; something we look forward to in her contribution to the giant community dinner in a forgotten space next to a once derelict, now evolving, agricultural food storage structure.

‘concre(A)te synergies’ by Brian Kelly

August 30th, 2010 : : : : Tag Words: ,

With the silos positioned prominently in the middle of Omaha along Interstate 80, a major artery that moves from the east coast to the west with 450 miles through the state of Nebraska, Brian Kelly, an Omaha architect and educator approached his submission as a prime opportunity for initiating dialogue about the issues affecting the population both locally and globally.  Rather than attempting to resolve an architectural design problem, he is interested in encouraging an exchange of ideas about the possible reuse of agricultural and industrial relics such as these, and the catalytic change that urban infill can generate.  His idea seeks to simultaneously celebrate the silo’s history and suggest a rejuvenation of the edifice that points to a synergetic contemporary culture and its lifestyles.

As an architect, educator, and amateur photographer, Brian has a deep fascination with the power of the image and the ability of Montage Theory to create, as Sergei Eisnstein called it, “tertium quid” or third thing.  This theory suggests that the assemblage of various, unrelated sequences in a film may be combined to produce a situation where the sum is greater than its parts.  In concre(A)te synergies, a series of images of unrelated building components were assembled to create a visual alluding to something outside itself.

In the interest of legibility, readily recognizable symbolic forms are used to communicate the new livable function. Additive elements such as stairs, planters, and shutters are juxtaposed against the subtractive elements of window voids that penetrate the massive cylindrical volume contained within. This legibility is assisted by conveying scale through repetitive (and easily recognizable) elements that suggest floor levels and internal spatial arrangements.

A technique of photo montage was used to create clarity and association with the proposal.  For the sake of cohesion, static building elements, which are the vehicles for the activity of life, such as the stairs, were left grey tone.  Components of the graphic depicting life, such as the people, planters, and the interior face of the shutters, were intentionally saturated with color.  Existing grain movement equipment, re-purposed as parasitic planters, are precariously positioned along the silo. These planters suggest that they are only there for a short time, and that tomorrow they may possibly be above, below, or on an adjacent silo.  Together, these elements and techniques suggest the potential synergy that can be created through the unique association between existing context and a new injected use.

Brian M. Kelly, RA is an Assistant Professor of Architecture at the University of Nebraska at Lincoln College of Architecture.  His previous teaching experience includes Drury University’s Hammons School of Architecture in Springfield, MO and California Polytechnic State University at San Luis Obispo.  Prior to joining the faculty at UNL, Brian served as lead designer in the office of Randy Brown Architects, designing several award-winning projects of various types and scales.  In addition to teaching, he and his wife, Andrea, have recently started their own practice, ATOMdesign, focusing on smaller scale architectural projects, objects, and graphics.

Brian’s teaching focus is in the areas of beginning design, architectural representation theory, and the craft of making.  His student work has been featured in academic journals and his design work has been published nationally and internationally.

Concrete-Living

Banner Blog to Chef Blog #1: Kevin Shinn, bread&cup

August 28th, 2010 : : : : Tag Words:

As we approach the final couple of banner blogs, perfectly timed with their installation on the almighty grain elevator beginning on September 13, we begin another exciting unveiling of the amazing team of chefs who have come together to breathe life into the October 3 500-person dinner.   This event is truly shaping up to be a once-in-a-lifetime experience of not only enjoying a five course meal next to an enormous piece of now obsolete agricultural infrastructure, but to be served food carefully deliberated and prepared by some of the most seasonally and locally dedicated chefs in the area and grown by folks equally as passionate about how they cultivate the elements of nourishment.

 

Which brings us to Chef and Farmer Blog #1, beginning in the neighboring city of Lincoln.  Kevin Shinn, chef and co-owner of bread & cup continues to bring passion, insight, and wisdom to each of our chef meetings. After just a few encounters with Shinn, who is notably introspective and thoughtful about what he cooks and where what he cooks comes from, we spent many an hour on his equally as introspective blog to get a better idea of the man behind the elegantly simple Lincoln hotspot. Having just celebrated it’s third year, bread & cup has quickly built a reputation for putting attention on the food and letting it speak for itself.  Of course, not without a highly refined selection process that focuses on seasonality and locality.  A visit to bread & cup impressively greets one with a chalk board displaying of which local producer all of the restaurants pigs are coming from for the week. Our favorite entry from Shinns blog collection possibly sums up why Shinn has joined this epic 500- person dinner adventure:

More than just tying on the feedbag…

I spend a lot of time thinking through why I cook. It’s a common question thoughtful chefs ask. It’s important for us to understand the motive for why we spend such long hours in a profession that has an inordinate demand for inequitable compensation.

But there is also, I believe, reason for why people come to eat the food we enjoy preparing. And I would pose the question here; do you know why you eat?

Once you get past the “duh…because I’m hungry?!?” response, I invite you to go a little further. Sure we eat because our stomachs tell us to, but have you considered what the deeper parts of you are saying? Listen closer and you might be intrigued by what you hear.

We asked Kevin to answer one question:  Why is cooking with local food important to you and why are you participating in this event?  Here is what Kevin wrote:

There are multiple reasons I could list to explain why I  get my food from local sources.  I could describe the benefits for health, or how it helps support the small farming economy.  I could list political reasons, of which there are many.  I could wax on about environmental concerns, about the defense of sustainable agriculture, or how it helps reconnect a generation to its heritage and its connection to the land on which we live.  I affirm and could write a defense about any of these, but instead, I can boil all these reasons down to one single word, one simple idea that makes it all worth it for me.

Pleasure.

It is far more pleasing to me to slice into a big, fat, juicy Cherokee Purple heirloom tomato that was grown on a vine 22 miles north of my restaurant and place it on a slice of our bread that was hand made and pulled out of our oven by our in-house baker at 7:20am that morning, along with a few slices of hickory smoked black pepper bacon that was made from the belly of a Berkshire hog raised on a small farm less than an hour south in the opposite direction.

One word.

I take more joy in knowing the man that raises the 18 Cornish-Rock chickens that he delivers to me each Thursday for use on my menu that weekend. And after roasting one of these fresh birds that have never been frozen, and serving it with the greens from the young couple who have started an family owned CSA and market garden, and then hearing the comment from the customer that told me, “That was the best chicken I have ever had…”

That’s why I serve local food.

We can’t wait to listen a little deeper after enjoying Kevin’s contribution to the dinner on October 3.